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The Pain that Fuels the Fire
Sometimes there is only a very slight thread morality, reason, or conscience keeping us from unleashing the dark desires within the depths of our thoughts. The wall which keeps such desires at bay can be very weak at times. Often, it only takes a small spark to burn the deepest inhibitions away. To Hamlet, there is a strong sense of inhibition when he first begins to suspect that his uncle, Claudius, may be responsible for his own father's death. As an educated youth in a time of general lawlessness, he has a sense of morality admirable even in modern times. Yet he has a hostility bordering on hate towards his mother for what he considers a grave injustice against his father. This is even before he suspects foul play at work in the royal court. Hamlet's hateful attitude towards women in general acts as fuel for the fire that eventually burns away his early hesitance against taking serious action towards his uncle. Characteristics he sees as weak and corrupting in women feeds his rage and sense of injustice. They are simply a disease-like influence to him. A little ghostly nudge in the general direction also keeps things moving. Finally, as Hamlet starts feeling the weight of what he considers his responsibility of retribution against his uncle, the prospect of killing what he considers a traitor to the crown and former king slowly becomes all consuming. This is all born from his feelings of misogyny, begun in his eyes by his mother.
In the early parts of the play, Hamlet is especially concerned with proving beyond all doubt that Claudius is guilty of murder. Considering the dark nature of the play and story itself, this can be considered rather commendable. He isn't about to run off and kill the new, if not suspect, king of Denmark. However, his inhibitions begin to burn, as he blames his mother for much of the predicament of the kingdom. A lustful woman, at least in her son's eyes, she married her husband's brother not two months after his death. For this, Hamlet has condemned the queen. From the day he found out that his mother and uncle would marry, she was the enemy. In the early part of the second scene of the first act, she questions the seriousness of Hamlet's grief towards his fathers passing, to which he replies angrily, "Seems, madam! Nay, it is; I know not 'seems'."(Act I, sc ii, 7) His resentment for what has happened feeds his other emotions. His feeling of helplessness, anger at events out of his control, everything has happened so fast, Hamlet has barely had time to catch up to his own emotions. He wants to reject all that is going on around him.
The Prince's grief for his father and his growing animosity towards the new crown seem to spur each other on churn together into one hate-seeped dangerous emotion. His love for the former king makes him hate Claudius and his mother, Gertrude, all the more, while his hate for the crown makes him idolize his father just that much more. After being "comforted" by his mother and new king, Hamlet speaks one of the most important soliloquies in the play. In it, he expresses his anger at the recent events, and vocally condemns Gertrude "Must I remember? Why, she would hang on him, as if increase of appetite had grown by what it fed on; and yet within a month, let me not think on't Frailty, thy name is woman! A little month; or ere those shoes were old with which she follow'd my poor father's body; like Niobe, all tears; why she, even she- O God! a beast, that wants discourse of reason, would have mourned longer," (Act I, sc ii, 147-155) Then he ends with the final accusation "Ere yet the salt of most unrighteous tears had left the flushing in her galled eyes, she married. O! most wicked speed, to post with such dexterity to incestuous sheets." (Act I, sc ii, 15-16) This is a fine example of his animosity to his remaining parent. He thinks she just jumped into Claudius' bed upon the death of her husband. There is also the possibility that Hamlet thinks Gertrude was having "incestuous" relations with his uncle before the death of his father.
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There is also a factor in Hamlets semi-misogyny which cements his attitude first towards his mother, and through her, all the women he comes in contact with. His father's ghost. This apparition plays an important part in Hamlet's justification of his actions from their conversation on. The spirit actually says of his former wife "From me, whose love was that of dignity that it went hand in hand even with the vow I made to her in marriage, and to decline upon a wretch whose natural gifts were poor to those of mine." (Act I, sc v, 55-5) The anger towards Gertrude's actions goes beyond a single generation.
Hamlet just so happens to have a little love interest at the opening of the play, the willowy Ophelia. However, due to her oddly overprotective father, she is forbidden to see Hamlet. Yet when he apparently goes mad, she is used as bait in order to discern what is going on with the prince. She is somewhat translucent when compared to the depth of Hamlet's character. She is also easily lead, best exemplified by her obedience to her father and king. One could also make a point that she is merely weakened by her position in society at the time, i.e. daughter and woman, but she best described as a victim. She is caught between Hamlet's conflicting emotions about what is going on around him and his hostile attitude towards his mother. In Act three, scene one, while Polonius and company are listening to Hamlet's conversation with Ophelia, Hamlet denies ever loving her "No, not I. I never gave you aught."(Act , sc I, 105) He could just as well be saying this to those secretly listening, but a second later when he says, "Get thee to a nunnery. Why wouldst thou be a breeder of sinners? I am myself indifferent honest, but yet I could accuse me of such things that it were better my mother had not borne me I am very proud, revengeful, ambitious, with more offenses at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in. What should such fellows as I do crawling between earth and heaven? We are arrant knaves, believe none of us. Go thy ways to a nunnery." (Act , sc i, 11-140) you can taste the venom in his words. Ophelia's rejection of him and her weak willed submission to the bidding of others only strengthens his resolve against what he sees as a lustful, corruptive, and ultimately flawed gender. His somewhat inappropriate innuendos towards Ophelia earlier in their conversation represent his disgust with her, or more specifically, all women at this point. To close the conversation he vocalizes his disgust "Or if thou needs marry, marry a fool, for wise men know well enough what monsters you make of them." (Act , sc I, 14-151) and also, "God hath given you one face, and you make yourselves another. You jig and amble, and you lisp; you nickname God's creatures and make your wantonness your ignorance." (Act , sc i, 155-158) Right there Hamlet says that women make excuses for their immorality. Unfortunately this is mostly directed towards his mother, but Ophelia bears the brunt of his anger. From this point on, Hamlet is more resolute in his actions, more set on his path, his first victim being Ophelia's own father.
Much of the tragedy of Hamlet is taken up by his hesitance to do anything rash, while the most important parts of the play are rash actions in themselves. His inhibitions against taking action towards his uncle eventually fall against the emotions he feels after speaking with his father's ghost and the anger over his mother's seemingly sexual attraction to positions of power, especially social ones. It is his feelings about Gertrude that leak over into his feelings about Claudius, and in condemning his mother he more importantly condemns he who killed the king of Denmark. This powerful action has its seed sown in Hamlet's misogyny. His feelings towards his mother are not much more than the grief for his father finding an outlet in an incestuous parent, at least in the beginning. Then as Hamlet suspects Claudius, those feelings spread to women in general, whom he sees as the enemy, against who he carries the torch of mixed revenge and supposed justice. Unfortunately, it will only be quenched with the blood of many. Too many.
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