Wednesday, December 30, 2020

AL SHAPIRO'S AUTO WRECH

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Death is unpredictable as we see well conveyed in this poem "Auto Wreck". This poem is organized into sections by what is transpiring in an accident scene. The poet has most likely taken a personal experience from his own life and described it for us in chilling details. This accident takes place apparently in the dead of the night.


This poem starts with a description of an ambulance rushing to the scene of a crash, hurriedly ministering to the victims and rushing them away to the hospital. "The ambulance at top speed floating down past beacons and illuminated clocks," describes the vehicle speeding through a lighted commercial area with glowing signs, billboards and other such advertisements found on the side of a busy street. Once the ambulance reaches the scene of the accident, the doors are thrown open, the victims quickly placed on stretchers, put in the back of the ambulance and are driven from the carnage. Line 14 "As the doors, an afterthought, are closed." gives us the impression that death did actually occur at the scene, described later in the second stanza.


As the ambulance move away from the scene with the severely injured, we see the uninjured and the minimally injured people walking among the cops. The cops who are busy doing their jobs - taking notes, cleaning up and blocking off the scene of accidents


Sherwood


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with lights and yellow tape. Reference is made to the mangled cars as "empty husks of locust, to iron poles," which we all know that locusts leave a perfect shell of their body when they die, which can crumble into many pieces. The author describes the people viewing the crash as feeling like "Our throats were tight as tourniquets," the meaning to this image is that, in their grief, the bystanders throats feel constricted, as if they had a tourniquet around their necks. They might be nauseous because of the shock and are forced to keep their throats tight to forestall vomiting, or they might desire to scream at the pain, and are obligated to remain silent. The people cannot believe what they are seeing and yet, cannot break way, lured to say, by a morbid curiosity. The traffic is slowing moving as the vehicles occupants turn their heads to gawk at the scene in awe of its sick beauty.


Lastly, the final simile is used, "And cancer, simple as a flower, blooms." compares something beautiful and full of life (a flower), with something horrible (a vehicle), an instrument of death. This is a very unusual simile; it is almost an oxymoron. It makes one stop and think. Death is questioned as to who dies next and for what reason.


In the next few lines, one can look for a type of meaning for death stating that war is done by the hands, that involves a level of intent. Suicide has an underlying and silent


cause and stillbirth is logical because a stillborn baby would have had a terrible life of disease or disfiguration. The poet comments on how illogical a car accident is, and makes the point that at least here is some slight reason and warning to cancer, but a deadly collision can occur in a split-second, without warning or reason. In the last stanza,


Sherwood


the poet tries to rationalize death but does not succeed. Rhetorical questions asked could never be answered by logical means, e.g. "Who shall die?" "Who is innocent?" Only an irrational source such as an all-supreme and omniscient being could answer these questions.


In death, there exist strictly irrational causes for the loss of life. Death is an eccentric jungle whose twisted, convoluted, and entangled vines represent the causes of death, which cannot be mapped out mathematically, but can be mapped out by the deranged explorer or sole creator of that jungle, both irrational persons themselves.


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