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Citizen Kane employs a combination of cinematic techniques that makes it worthy as a contender for best movie ever made. To study these visionary techniques it is necessary to break down the movie in order to understand how it was that Welles did such innovative film making. One interesting formula used in the movie is thematic montage. This effective editing procedure condenses ideas and symbols that occurred over a number of years in the character's life into one sequence that tells all. The most famous example of thematic montage in Citizen Kane compresses an entire marriage into a swift montage of breakfast table scenes. This scene shows us the downfall of a marriage within a few minutes. Other such montages can be found in the movie and these scenes help to create the overall cinematic success that is Citizen Kane.
The very beginning of the movie gives us the kind of central character we are immediately interested in. Given Welles opening newsreel montage, Kane is interesting simply because he has to be. No one who led such a life could possibly have been boring; he was a powerful man who lost everything, and that fascinates us for the same reason it fascinates the reporters in the film; we dont understand how it could have happened, how Kane could have fallen so far. This thematic montage is cleverly disguised as a newsreel, making it less obvious then some of the other montages. In this short amount of time, we learn who Kane is in terms of his public life; without the montage the entire movie would be altered unmistakably because we would not already know that Kane will fall. Even with this information, we must watch the movie to find out what Kane's tragic flaw could possibly be. A man who could create Xandu and affect the nation in such a tremendous way; we want to now how he lost everything. This thematic montage of Kane's life gives premise to the movie and draws viewers into Welles' world.
From the very first public instant, when Kane took control of The Inquirer, Kane was a man to arouse strong emotion. His concentration was focused on writing news that helped the working man. All of this is made clear in one short thematic montage in which Thatcher, his former guardian, reads the headlines of The Inquirer. Thatcher's reactions begin with surprise, going through the range to outrage. Knowing that Thatcher is a man focused on money, we learn that Kane has chosen a different route in life. This montage illustrates not just the philosophy of The Inquirer, but also his feelings toward the man who brought him up. This is a real way to show the defiance of Kane to Thatcher and the life he is expected to have.
These thematic montages are an influential way to give insight into Kane without actually having someone say it. From the first scene we learn who Kane is and what happened to him in life; we learn all we need to know about Kane to understand that he is rich, eccentric, and has lost everything by the time he dies. In the Thatcher montage we learn Kane's politics. These montages give us a background so in depth, we can abandon the shallow surface of the movie and search for deeper meaning in the film. These scenes are also visually stimulating in their fast nature, adding to the overall aesthetic affect of the movie. The condensation of information in the thematic montages of Citizen Kane give necessary information in an interesting way, another cinematic technique that Welles makes his own in this masterpiece.
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